I try not to open that drawer because every time I do, a chorus of plaintive voices starts reproaching me. The stories don't like being filed away, not a bit. They say things like,
"You haven't sent me out for a long, long time."
"Remember, you were just going to put me away for a while, and then try again."
"You said you planned to send me out after the first of the year. That was three years ago."
It's getting very embarrassing. They all just want to be read, and they all think they are absolutely perfect (or almost perfect) just the way they are, and why don't I give them the attention they deserve? I haven't the heart to tell them that a new story has captured my heart, that I am in love with it and spending all my available hours working on it.
I know, I know. Writers can be fickle. It's not that I don't love them any more. It's just....well, it's just that's how it is.
The logical question here is why do I open the drawer if it upsets me to hear their voices. The answer is simple, really--and a little sad. I keep having to put more stories in with them. Just this afternoon I got a very kind, lovely letter from an editor who said she really liked the story she was sending back and did wish she could offer to publish it, but...
So there I sat with the unwanted story in my hand. My desk top was already covered with miscellaneous manuscripts and mail ... no way round it, I would have to... and then this perfectly brilliant idea occurred to me--if a story just wants to be read, and it doesn't really care whether it's done up with a fancy cover and full-page illustrations, why not just take it out of the drawer and put it somewhere where it can be read?
(I firmly believe that even a story that won't appeal to enough readers to be profitable to a publishing house will find the readers it is meant for. And sometimes that story and that reader will form a lifelong friendship. What more can a writer ask?)
I wasn't sure I'd have any takers, but when I opened the drawer and asked if anyone was interested, the clamor of competing voices was amazing, so I did the only sensible thing--I stuck in my hand and pulled out a story at random. Actually, I'm very pleased with my choice. I've always liked "Stella's Elevator," and it's been waiting for readers for a very long time.
I hope you enjoy it.
Stella's Elevator
Graceview
Arms was six stories high. It had a canopy in front and a garden on the roof,
and the people who lived there had all lived there for a very long time.
One day Mr.
Procter, the owner, put up a sign in the lobby. The sign read, "Attention:
George the elevator man is retiring. Our new operator will be Stella
Wilkins."
When they
read the sign, some of the people who lived in Graceview Arms shook their
heads. "Hmmph," sniffed Mr. Armstrong from 402. "A woman
operator! I'm not sure that's a good idea."
But Stella
herself was thrilled. "My name in print!" she exclaimed. "I'm
going to be the best elevator operator Graceview Arms ever had."
Mr.
Armstrong took the first ride. He tried not to stare at Stella, but he had
never seen anyone dressed quite so colorfully.
"We're
going to miss George," said Mr. Armstrong. "He was always so well
dressed."
"Well
then, isn't it a good thing I wore my Elvis sweatshirt?" Stella asked.
Later that
day Stella took Mr. Armstrong down to the lobby. "I'm not used to riding
with a woman," he grumbled.
"That's
all right, I'm not used to driving an elevator," said Stella. Mr.
Armstrong looked worried.
On Monday
morning the elevator had a fluffy orange rug on the floor. "Brightens up
the place, don't you think?" Stella asked everyone. The Larrimore twins,
who lived in 201, loved the orange rug. Their mother wasn't so sure.
Tuesday
Stella sat in an armchair by the elevator controls. "I believe in
comfort," she said with a grin.
The only
passenger who didn't grin back was Mr. Armstrong. "Hmph," he said.
"A stool was good enough for George."
On Wednesday
Stella put a small table beside her chair. She placed a radio on top and tuned
in the All-Elvis station.
"What's
all this?" asked Mr. Armstrong.
Stella
beamed at him. "Elevator music," she said.
"I hate
rock and roll," Mr. Armstrong told her.
On Thursday
Stella hung pictures of Elvis in the elevator. "Ten!" sputtered Mr.
Armstrong. "Ten pictures of Elvis. One would be too
many."
On Friday
Stella gave out pieces of cake. "It's Elvis's birthday," she told
everybody. The Larrimore twins didn't know who Elvis was, but they ate the cake anyway.
For the next
month the tenants of Graceview Arms rode up and down with Stella.
The
Larrimore twins loved her -- she told them a new knock-knock joke every time
they rode.
Their mother
liked Stella, in spite of the orange rug, because Stella held the elevator and
watched the Larrimore baby while Mrs. Larrimore carried her groceries down the
hall.
Mrs.
Gaglioni in 303 liked exchanging recipes with Stella.
When Mr.
Freedson in 200 complained of his arthritis, Stella told him about a home-made
medicine her mother used to take. It didn't help his arthritis, but it tasted
good.
As a matter
of fact, most of the tenants liked Stella.
But not Mr.
Armstrong, even though Stella turned off the radio every afternoon at 2:05 when
he rode downstairs to pick up his mail.
If the
elevator didn't arrive till 2:06, it made Mr. Armstrong angry. When he stepped
into the elevator and saw the pictures of Elvis, he got angrier still.
"That elevator is a disgrace to the building," he said. "I'm
going to complain."
On the first
of the month Mr. Procter came to collect the rent. He went from apartment to
apartment. He stayed in 402 a long time.
On the way out
of the building, he told Stella, "Stella, I've got bad news. We've had
some complaints. All these frills and furbelows have to go. Less talk, more
work, that's what we want.
And I'm
getting you a uniform. You need to look professional."
The next day
the rug was gone. So were the armchair, the table, the radio and the pictures.
Stella's sweatshirt was gone. Stella's smile was gone too.
Leaving for
school, the Larrimore twins were the first to ride the elevator that day.
"Wow," said one. "The elevator sure looks empty."
Stella
didn't say anything.
"Knock-knock,"
said the other twin hopefully.
Stella
didn't answer.
Mr. Freedson
got on the elevator to go out for the morning paper, but Stella didn't ask
about his arthritis.
When Mrs.
Gaglioni told Stella she was making her special Eggplant Parmesan that day,
Stella didn't ask for the recipe.
Mrs.
Larrimore had to carry her dry-cleaning and the baby at the same time because
when they got to her floor Stella said she was sorry, but she couldn't wait.
For the next
two weeks Stella ran the elevator quietly and efficiently. Every time the
buzzer sounded she answered it right away. But she didn't smile or joke. The
elevator was very quiet.
One day at
2:05 Stella was waiting for Mr. Armstrong's buzzer to sound. At 2:06 Mr.
Armstrong hadn't buzzed. 2:07 went by, and 2:08.
At 2:09
Stella said to herself, "I'd better go check." She parked her
elevator on the fourth floor and walked down to apartment 402. She knocked. She
waited. No one answered. "Maybe I shouldn't bother him," she said to
herself. "But what if something's wrong?"
She knocked
louder. She heard a groan and then a faint voice called, "Come in."
She opened
the door, and there was Mr. Armstrong on the floor beside an overturned chair.
"I was trying to change a light bulb," he said. "I think my leg
is broken."
A few days
after Mr. Armstrong came home from the hospital with a cast on his leg, Stella
took him a bouquet of flowers. "How are you feeling?" she asked.
"Not
too bad," said Mr. Armstrong, "but it's boring to be a shut-in.
There's nothing to do."
"I have
an idea," said Stella. "Wait right here."
In a little
bit she was back. "Grab your crutches and come with me," she said.
She helped Mr. Armstrong down the hall to the elevator. There in the corner was
Stella's armchair. "Sit in this," said Stella. "You can ride up
and down with me."
For the rest
of the morning Mr. Armstrong rode the elevator. Tenants got on and off, and Mr.
Armstrong told them all about his accident and the hospital, but between rides
he got fidgety.
"Don't
you get bored when the elevator's not moving?" he asked.
"I
didn't when I had my radio," said Stella.
"I have
a CD player and some beautiful CD's," said Mr. Armstrong. "Do you
ever listen to opera?"
"I
never did," said Stella, "but I don't mind trying."
"You'll
love La Boheme," said Mr. Armstrong.. "It's set in Paris, and there
are two young lovers..." he told the whole story to Stella as they rode up
to his floor. They got Mr. Armstrong's CD player, and soon they were listening
together as they rode up and down.
"Ah,
Puccini!" said Mrs. Gaglioni as she got on. "No one makes music like
the Italians!"
A little bit
later, Mr. Armstrong shivered. "It's drafty in here. Don't you get
cold?" he asked Stella.
"That's
why I always wore my sweatshirt," she told him.
Mr.
Armstrong looked thoughtful.
Pretty soon
he said, "There's not much to look at in here. Why don't you bring your
rug back, Stella? Orange is cheery. I might even get used your pictures of
Elvis."
Now Stella
looked thoughtful.
The next day
when Mr. Armstrong hobbled down the hallway, Stella met him at the elevator
door.
"What's
this?" asked Mr. Armstrong. Posters of famous operas covered the walls of
the elevator -- Tosca, Aida, Carmen, and La Boheme. The overture to The Flying
Dutchman was playing on the CD player. "I thought I'd surprise you,"
Stella told Mr. Armstrong.
"I have
a surprise, too," he said, holding out a package. "I bought you this
year's Metropolitan Opera sweatshirt. And I got myself a new CD -- Elvis'
Greatest Hits. Listened to it last night. It's not so bad."
"Neither
is opera," said Stella.
"Cool!"
said the Larrimore twins when they came home from school and saw the posters
and heard the music.
"Knock
knock," said Stella.
"Who's
there?" asked the twins.
"Aida."
"Aida
Who?'
"Aida
apple every day -- keeps da doctor away."
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